(Pictured: The Osmonds, whose 1972 single “Hold Her Tight” is a rager based on a Led Zeppelin riff, and an unlikely acquaintance.)
Here’s a whole bunch of music trivia, culled from the Billboard Hot 100 dated July 8, 1972:
In this week, there are seven songs new to the Top 40, which is kind of a lot: “Hold Your Head Up” by Argent, “Hold Her Tight” by the Osmonds (zooming to #39 from #76 the week before), “Mary Had a Little Lamb” by Wings, “Sealed With a Kiss” by Bobby Vinton, Donna Fargo’s “Happiest Girl in the Whole U.S.A.,” Nilsson’s “Coconut,” and “Long Cool Woman in a Black Dress” by the Hollies, which debuts up at #30.
In an idle moment the other day, I decided to see which songs had fallen out of the 40, and I found something quite interesting. Of the seven drop-outs, six of them fell out entirely out of the Hot 100.
“Morning Has Broken”/Cat Stevens (from #24)
“Walking in the Rain With the One I Love”/Love Unlimited (from #31)
“Tumbling Dice”/Rolling Stones (from #33)
“It’s Going to Take Some Time”/Carpenters (from #35)
“First Time Ever I Saw Your Face”/Roberta Flack (from #36)
“Immigration Man”/Graham Nash and David Crosby (from #40)
Only Todd Rundgren’s “I Saw the Light” exited the 40 and remained on the Hot 100, down to #54 from #37.
Somebody with a more searchable and sortable database (as opposed to my half-assed eyeball technique) could probably determine how unusual this is. Not so much that a song should fall from the 40 into oblivion, but that so many should do it in the same week.
Several other hits that will indelibly stamp the late summer and early fall of 1972 sit just outside the Top 40 during the week of July 8, 1972. The most famous are Jim Croce’s debut single, “You Don’t Mess Around With Jim,” at #50 in its second week on, and at #57 in its first week on, “I’m Still in Love With You” by Al Green. Others less well-remembered but just as vivid (at least to me) include Joey Heatherton’s “Gone,” “Motorcycle Mama” by Sailcat, and the Detroit Emeralds’ “Baby Let Me Take You.”
“In a Broken Dream” by Python Lee Jackson is at #60 in its seventh week on. In 1968, the Australian band had recorded a version they didn’t particularly like, believing it needed a stronger lead vocal. So they hired a session singer from England named Rod Stewart to give it a try. Although it stiffed on its original release in 1970—before Stewart got famous—it did better in 1972, reaching #56 in the States.
A couple of future monsters lurk further below: “Baby Don’t Get Hooked on Me” by Mac Davis, which will spend the entire month of September at #1, is at #73 in its second week on; “I Am Woman,” Helen Reddy’s feminist anthem, is at #97 in its third week on. “I Am Woman” is a slow starter: it will fall out of the Hot 100 the next week, but will re-enter in September, break the Top 40 in October, and hit #1 on December 9, 1972.
Two very different examples of glorious 70s radio music sit side-by-side: the singalong soul of “Starting All Over Again” by Mel and Tim is at #83 in its first week on; “Go All the Way” by the Raspberries, burning with teenage lust, is at #84 in its second week on. Also found down toward the bottom: Bob Seger’s version of “If I Were a Carpenter” at #87 and David Bowie’s “Starman” at #96, both in their second week on. “If I Were a Carpenter,” yet another example of the accomplished artistry everybody but Seger himself hears in his early work, would reach #76; “Starman” would get to #65.
Sitting at #99 in its first week on is “When You Say Love” by Sonny and Cher. Based on the Budweiser jingle, “when you say Budweiser, you’ve said it all, “When You Say Love” was a smash country hit for Bob Luman before Sonny and Cher covered it. Their version eventually crept into the Hot 100 at #32. “The Bud Song,” as it is known here in Wisconsin, is a staple of University of Wisconsin sporting events: “when you say Wisconsin, you’ve said it all.”