On April 24, 1976, Saturday Night Live producer Lorne Michaels did his famous on-air bit inviting the Beatles to reunite on the show for $3,000. Michaels didn’t think they’d really show up, but he also stationed a young staffer at the front door of 30 Rock just in case, fearing that the elderly security guard on the Saturday night detail might not recognize the band members. Nobody knew then that Paul McCartney and John Lennon were watching the show at Lennon’s apartment in the Dakota—or that for a few minutes, they discussed grabbing a cab and heading to the studio.
I don’t remember whether I was watching SNL on that particular night. I’d like to think I was, though, because it makes for an attractive memory: upstairs in my room, late at night, the house is quiet, the windows are open with a spring breeze bringing sounds of the farm in from outside, and the old black-and-white TV lights up the room. (That particular set was one of my oldest and dearest childhood friends. My parents bought it for the basement when I was maybe 10, and it survived long enough to take its place in my first post-college apartment.)
In the end, John and Paul reacted just like regular people often do when confronted with one of those late-night, wild-hair, wouldn’t-it-be-something-if-we-did-it opportunities—they decided they were too tired and didn’t. That’s reassuring, in a way. Not so much that they could be a lot like us, but that we could be a lot like them.
Later that fall, after SNL began its second season, they got one of the Beatles to appear.
The second-season episode of Saturday Night Live that aired on November 20, 1976, is nothing special as comedy. Apart from the opening of the show, which features host Paul Simon in a turkey outfit, and a famous commercial for Quarry, the cereal made from stone, the sketches are among the least clever or interesting in SNL‘s brief history up to that point. It’s the music that makes the show a landmark, and specifically, the musical guest: George Harrison.
Early in the show, Simon and Harrison duet on “Here Comes the Sun” and “Homeward Bound” (above), two unique voices blending with acoustic guitars that is one of the series’ loveliest musical moments. George’s verse on “Homeward Bound” is especially beautiful. The sequence looked great, too, shot through a filter that softened the video and made it seem almost dreamlike.
For the first time, the show began with an announcement that portions of it were prerecorded—later, Simon mentions that Harrison has “brought two films with him.” In a few years, we’d call them videos, for songs from George’s then-new album Thirty Three and 1/3. “Crackerbox Palace” was directed by Eric Idle of Monty Python. (See if you can spot Idle’s cameo. You’ll have to be very quick.) “This Song” would have been on the radio the night of the SNL broadcast. The video features a cameo by Ron Wood as a female juror.
November 20, 1976, represented the moment at which Saturday Night Live completed the arc from buzzworthy new show to must-see to cultural icon. When they could get a Beatle, instead of simply joking about paying them $3,000 to appear, it wasn’t just a TV show anymore.
(Rebooted from a couple of ancient posts.)