Some Gotta Win, Some Gotta Lose

(Pictured: Danny O’Keefe, who Gets It.)

Yesterday was the first day of fall. So let’s look at a few Billboard Hot 100s and what was at #40 on some autumnal equinoxes gone by, just to see what there is to hear.

1961: “Let’s Get Together”/Hayley Mills & Hayley Mills (up from #69, third week on). That’s how the record was listed in Billboard; in the movie The Parent Trap, it’s sung as a duet between the twins Mills played in the film. It would reach #8 in October, and sweet mama it’s terrible.

1964: “Let It Be Me”/Betty Everett & Jerry Butler (up from #54, third week on). The Everly Brothers had taken “Let It Be Me” into the Top 10 in 1960, and this duet would make the Top 10 as well. It would chart again in years to come . . . as you’ll see.

1966: “God Only Knows”/Beach Boys (up from #42, sixth week on). If Brian Wilson felt as though he was in competition with the Beatles after Rubber Soul and Revolver, he bested them with this. Paul McCartney admired it, perhaps because as gifted as he was, he couldn’t do anything like it.

1967: “Pleasant Valley Sunday”/Monkees (down from #25, 10th week on). In 1967, social consciousness popped up in the most unlikely places.

1970: “I’ll Be There”/Jackson Five (debut). New on the Hot 100 at this lofty position, and a miracle that will last forever.

1971: “Yo Yo”/Osmonds (up from #85, second week on). Similarities between the Osmonds and the Jackson Five abound. When ABC launched an Osmonds cartoon series in the fall of 1972, the production company reused some of the animations from the Jackson Five series, figuring that dancing kids were dancing kids.

1972: “Good Time Charlie’s Got the Blues”/Danny O’Keefe (up from #51, fourth week on). A beautiful, world-weary song we’ve always dug around here, and the world-wearier we get, the more we dig it.

1975: “Who Loves You”/Four Seasons (up from #50, fifth week on)Not every group from the 60s, particularly a group as distinctive as the Four Seasons, could comfortably update their sound for the 70s, but the Seasons did it as well as I can imagine.

1976: “Sunrise”/Eric Carmen (up from #43, sixth week on). “All By Myself” was an epic power ballad, “Never Gonna Fall in Love Again” a standard pop weeper. On “Sunrise,” after a brief interlude of overwrought guitar, Eric Carmen gets his Raspberries on.

1977: “The King Is Gone”/Ronnie McDowell (up from #89, second week on). McDowell’s tribute to Elvis was on the radio within three weeks of the King’s passing. “The King Is Gone” would rise to #13 on both the pop and country charts. It started McDowell’s career, although he took a while to find his stride. Between 1981 and 1986, he would put 17 straight singles into the country Top 10, and an 18th would peak at #11.

1982: “Let It Be Me”/Willie Nelson (up from #45, seventh week on). Ever since Stardust in 1978, Willie sprinkled his list of single releases with classic pop songs. Willie’s version of “Let It Be Me” would peak at #40 on the Hot 100 but reach #2 country.

1983: “Suddenly Last Summer”/The Motels (up from #44, third week on). There has never been anything else that sounds like this.

1984: “Strut”/Sheena Easton (up from #45, fifth week on). In which Sheena, who had been mostly a virginal pop balladeer up to this point, gets her swagger on. “Strut” is a great radio record.

1985: “Sunset Grill”/Don Henley (up from #42, fourth week on). Where the Eagles’ “The Sad Cafe” is a place for sweet nostalgia and even hope, “Sunset Grill” is on a dead-end street, where everything’s a little bit sleazy and people stay because they can’t think of a good reason to leave.

1987: “Bad”/Michael Jackson (debut). Me, 2012: “To Jackson’s credit, he didn’t try to make Thriller II. Bad is supposed to be the next thing, on its own. Maybe Bad sounds [less exciting than Thriller] because Thriller changed the world and Bad merely lived in the new world that Thriller had changed.”

1989: “The End of the Innocence”/Don Henley (down from #23, 14th week on). As the Reagan Era shades into the new decade of the 90s, everything’s a little bit sleazy and people stay because they’re too exhausted to leave.

That feels like an appropriate ending to this post, except to add that sometime this week, we passed the threshold of 800,000 hits on this blog since 2007. I am grateful for all of them.

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