(Pictured: KC and the Sunshine Band in action. Get down tonight, baby.)
Here we go with the second half of the American Top 40 show from August 23, 1975.
19. “That’s the Way of the World”/Earth Wind & Fire and 18. “Holdin’ on to Yesterday”/Ambrosia. About as classy as the Top 40 got in the 70s.
17. “Feel Like Makin’ Love”/Bad Company. After which Casey does a “where are they now” feature on Dee Dee Sharp, who had hit in the early 60s with “Mashed Potato Time.” She was married to Philadelphia mogul Kenny Gamble by 1975 and was preparing to make her first record in 10 years. What Color Is Love was released in 1977.
Extra: “Eighteen With a Bullet”/Pete Wingfield. I will never fail to be impressed whenever anybody busts out this record, although AT40 announcer Larry Morgan botched the definition of “bullet” and missed an opportunity to mention that during one week in November 1975, “Eighteen With a Bullet” was actually #18 with a bullet on the Hot 100.
13. “Love Will Keep Us Together”/Captain and Tennille. In 1975, 35 different records would reach #1. In such a volatile era, “Love Will Keep Us Together” staying four straight weeks at the top back in June and July was a remarkable accomplishment.
12. “Midnight Blue”/Melissa Manchester. I could listen to the first nine seconds of “Midnight Blue” on a loop for about an hour, but that would delay the gratification that comes from hearing the rest of the song.
11. “Fight the Power”/Isley Brothers. With which Casey corrects an error that was caught by a listener. The previous month, Casey had said that the Miracles had the longest current span on the charts, going back to 1959. But a radio station GM in South Carolina wrote to say that the Isley Brothers had put their first hit on the chart two weeks before the Miracles’ first hit, which gave them the longest span. That’s an impressive fact to command, especially in an era when it was necessary to dig into actual issues of Billboard to do such research.
10. “Please Mr. Please”/Olivia Newton-John. In its eighth consecutive week in the Top 10. It was the 1970s. We couldn’t help ourselves.
6. “Why Can’t We Be Friends”/War. Like “Black Superman,” this is another record that never fails to amuse me.
4. “Jive Talkin'”/Bee Gees. Last week’s #1. It’s worth remembering that this was a modest comeback record for the Bee Gees, who hadn’t scored a big hit in the States since “Run to Me” nearly three years before, and a major change from their Beatle-inspired acoustic style. It wasn’t Saturday Night Fever yet, but that was coming.
Extra: “Miracles”/Jefferson Starship. Three minutes of crazy-good sex, happening right there on your radio. Seven minutes if you get A) the album version or B) lucky.
3. “Get Down Tonight”/KC and the Sunshine Band. Reporting that this record made a mighty leap from #12 to #3, Casey says that it looks like it’s headed for #1, and it would get there the next week. It’s no wonder, really—the Sunshine Band lays down a smokin’ hot groove, and KC sounds like he’s got all he can do to escape the party so he can sing.
2. “One of These Nights”/Eagles. From the #1 album in the country for a fifth week. In a piece earlier this month in Rolling Stone, Cameron Crowe said that one of the proposed titles for the album was Wallet on the Snare, after a production trick Philadelphia super-producer Thom Bell is said to have used. Glenn Frey read that Bell would get the sound he wanted by having the drummer set his wallet on the snare drum. In a radio interview clip found on the Eagles Selected Works box set, Frey tells a DJ the same thing.
1. “Fallin’ in Love”/Hamilton Joe Frank and Reynolds. Casey reports that Tommy Reynolds is no longer in the group, replaced by Alan Dennison, but that the group continues to use Reynolds’ name “with Tommy’s permission.” And why not? “Hamilton Joe Frank and Reynolds” is the single most euphonious group name in pop history.