If you can tolerate one more damn tornado-related thing, here’s part of a post I wrote back in 2006 about covering severe weather on the radio, lightly edited for 2015.
It wasn’t until I got to college and watched some of the more experienced people at the campus radio station covering a severe weather outbreak that I realized a fundamental truth of broadcasting—on most days, you’re just playing records and cracking wise. You don’t actually live your station’s commitment to operate in the public interest, convenience, and necessity until you’re on a full severe-weather alert.
In those days, many small-to-medium market stations had the goal of owning severe weather coverage—to be the station that everybody tuned to when the skies turned dark. In Dubuque, KDTH was that station. Even though it may have been late at night or their day off, news department staffers would materialize when watches were issued, and they set a standard for the way to do severe weather right. They knew what information people needed, who to call or where to go to get it, and how to ad-lib off the radar screen, as well as how to do it while staying cool, even when the newsroom behind the studio door was chaotic. You knew—although we never faced it while I was there—that if a tornado were bearing down on the station’s very building, they’d stay on the air no matter what. I learned a lot at KDTH, and by the time I got to my next radio job, on tornado alley in western Illinois, I considered myself an expert on how to cover severe weather.
One of my jobs there was public-service director, which meant I was responsible for the box of 3-by-5 cards with “community calendar” information for jocks to read, and for the public-service announcements jocks could play to fill time. That first spring, I planned to do a series of PSAs for Tornado Awareness Week, but management vetoed them. We can’t let you do it, they said, because it might start a panic.
Honest to God, that’s what they told me, and I still can’t fathom their logic. But they fired me a few weeks later (not for the tornado PSAs, but for something equally loony) and I went to the other station in town. As it turned out, that station was about to be purchased by the guy who had been the general manager at KDTH, so I was sure my weather expertise would be appreciated there, and it was.
Within a few years, severe weather coverage, especially on music radio stations and extra-especially in large markets, started going out of fashion. In the late 80s, a jock in Dallas was famously fired for breaking his station’s format rules to read a tornado warning for the area. At about the same time, I was driving home in a horizontal rainstorm driven by 50MPH winds and listening to a station in my town when I heard the jock say, “A tornado warning has been issued for a portion of our listening area. If you want to know the details, call me on the listener line.”
Honest to God, that’s what he said. If he’d been working for me, I’d have fired him on the spot. To this day, it might still be the single worst thing I’ve ever heard on the radio—although he was probably just doing what he’d been told to do.
By the early 90s, I was working for an owner whose commitment to the public interest, convenience, and necessity matched my own. The station was located in a little prefab house on a hill just outside of town. During the first bout of bad weather that spring, I wasn’t entirely up on the local geography. “Hey,” I said to one of the news people, “We’ve got a warning here that says a tornado is on the ground seven miles southeast of Miles, Iowa. Where is that?” She got a strange look on her face and said, “That’s . . . here.” Instead of heading for shelter in the basement, I immediately ran outside to look for the tornado.
I didn’t see it.
Today, I’m pleased that my stations have a commitment to cover severe weather, and they’ll pay us to come in after hours to do it if necessary. It’s part of the reason they have the license in the first place. Without that commitment, they’re just playing records and cracking wise.