(Pictured: Elton John, whose Greatest Hits was among the top albums in the winter of 1975, even though it didn’t contain his current hit single.)
The show started with Joni Mitchell’s great live version of “Big Yellow Taxi,” far better than the studio version from years before. The first hour also included Billy Joel’s “The Entertainer,” in which he gripes about being a star even though at the time the song was recorded he wasn’t, really. As it sometimes does, the first hour contained some hot garbage: “Ride ‘Em Cowboy” by Paul Davis, a record so wimpy it makes Neil Sedaka sound like Ted Nugent, and “Your Bulldog Drinks Champagne” by Jim Stafford, which I don’t know what the hell to think. Also in the first hour was the rarest of rarities, a 70s Top 40 hit I can’t remember hearing before, “I Belong to You” by Love Unlimited.
Casey also read a letter from Alan O’Day, writer of Helen Reddy’s “Angie Baby,” the former #1 single that was still hanging on at the bottom of the 40. The letter was a belated Christmas card telling the AT40 staff that he had often dreamed of hearing Casey talking about one of his songs on the show. Casey said that he was looking forward to talking about Alan O’Day’s next hit—which would be under his own name a couple of years hence, “Undercover Angel.”
The show featured another one of those fabulously pleasurable hot streaks:
18. “You’re the First, the Last, My Everything”/Barry White
17. “Junior’s Farm”/Paul McCartney and Wings
16. “Rock and Roll (I Gave You the Best Years of My Life)”/Mac Davis
15. “Best of My Love”/Eagles
14. “Get Dancin'”/Disco Tex and the Sex-O-Lettes
13. “Doctor’s Orders”/Carol Douglas
12. “Some Kind of Wonderful”/Grand Funk
11. “Lucy in the Sky With Diamonds”/Elton John
10. “Pick Up the Pieces”/Average White Band
9. “Never Can Say Goodbye”/Gloria Gaynor
On “You’re the First, the Last, My Everything,” the Love Unlimited Orchestra glides like a finely-tuned limousine on the Interstate. “Junior’s Farm” is the hardest-rockin’ record on the show by a mile. (Probably woulda killed Paul Davis.) “Rock and Roll,” about the life of a struggling musician, is impossible to resist singing along with (or at least it is for me). “Best of My Love” was heard in its rare 45 configuration, which nobody plays anymore. Some powerful pharmaceuticals were involved in the creation of “Get Dancin’,” or my name isn’t whatever my name is. Next to the Tavares song “Heaven Must Be Missing an Angel,” my favorite disco song is “Doctor’s Orders,” which positively jumps out of the radio. Grand Funk, Elton, and AWB have had 40 years of continuous exposure, but hearing and remembering them in the context of early 1975 was a reminder of how solid they were, and are. “Never Can Say Goodbye” barrels down the track like a runaway train.
The remainder of the Top 10 is all over the place: Donny and Marie (“Morning Side of the Mountain” at #8), Paul Anka and Odia Coates (“One Man Woman, One Woman Man” at #7), Barry Manilow (“Mandy,” #3), and Neil Sedaka (“Laughter in the Rain,” #2) sit sap-tastically alongside the Ohio Players’ “Fire” (#4) and “Boogie On Reggae Woman” (#5). Linda Ronstadt’s “You’re No Good” holds its own with those two a little better, and is the hottest record on the chart (up to #6 from #21).
At #1 is what Casey says is only the third song in history to reach #1 by two different performers. “Please Mr. Postman” by the Carpenters, originally recorded by the Marvelettes in 1961, joins “Go Away Little Girl” and “The Locomotion” with that distinction. (Earlier in the show, when Casey played Carole King’s “Nightingale,” he told us that King had co-written the only two songs to reach #1 by two different artists. At that time, he chose not to tease the coming third one, which strikes me as an opportunity missed.) There’s a video for “Please Mr. Postman,” which I posted here years ago. Back then, I said that it looks like the trailer for a movie called Virgins in Disneyland. It still does.
The winter of 1975 sounds a lot better in memory than it reads in history. Perhaps now, 40 years later, that’s what really matters.