Top 5: The Homecoming

I used to have quite a collection of radio surveys, although I lost them in the big smoky fire we had in the upstairs of our house when I was 14. By that time, WLS Hit Parades had grown scarce in southern Wisconsin, and as a result I’d largely stopped collecting them. Through the late 70s, I would occasionally pick up surveys from WISM, Madison’s legendary Top 40 station, and I am pretty sure that I once had a copy of the survey dated February 26, 1976. Back then, I would have been interested in the songs at the top: Queen and the Eagles and the Four Seasons, Rhythm Heritage and Gary Wright and Paul Simon. Today, the obscurities further down are what I want to hear.

10. “Til It’s Time to Say Goodbye”/Jonathan Cain (down from 8). Only his mother had heard of Jonathan Cain before 1976, although everybody would, eventually, as a future member of the Babys, Journey, and Bad English. I’d hear of him again in a year or so, when a song of his called “Windy City Breakdown” turned up on one of those Warner-Reprise samplers I used to buy. “Til It’s Time to Say Goodbye,” a melodramatic power ballad, made #44 in Billboard, and got Cain a spot on American Bandstand.

16. “Broken Lady”/Larry Gatlin (up from 18). This was Gatlin’s first big country hit, which launched him on an 12-year run of success that would eventually total 17 top-10 hits. “Broken Lady” didn’t make the Hot 100 and it’s got a strong mid-70s countrypolitan feel, but the WISM audience obviously didn’t mind. (Listen to the song, and check out some awesome 1970s country music fashions, here.)

22. “Back It Up”/Benedict (up from 23). This is as obscure a record as we’ve ever come across. The only citations for it online go to this WISM survey and another from two weeks before. I can’t find anything about it in Billboard, or by searching newspapers from late 1975 and 1976. If you know anything about it, help a brother out.

25. “Cupid”/Tony Orlando and Dawn (up from 29)In the early spring of 1976, Tony Orlando and Dawn were coming to the end of the second full season of their TV variety show, and the end of a successful five-year run on the radio. “Cupid,” the old Sam Cooke hit that would be redone by the Spinners in 1980, was the group’s last Top 40 hit, and tries pretty hard to channel the feeling of “He Don’t Love You (Like I Love You),” their last #1 a year earlier. They would manage one more Hot 100 hit early in 1977, not long after their TV show was canceled.

26. “The Homecoming”/Hagood Hardy (up from 27). Hardy was an Indiana native transplanted to Canada, where he wrote commercial jingles and scored TV programs. “The Homecoming,” an instrumental featuring piano, guitar, and pillowy soft strings, started as a tea jingle, but was way too good for advertising. Is it sappy and sentimental? Hell and yes. Is that a problem? Remember whose blog you’re reading.

Also of interest on the WISM survey is the cover picture of evening jock Charlie “Rock and Roll” Simon, and the unusual caption, “A bullet in the gun of 1480.” That’s a reference to Elton John’s then-current “I Feel Like a Bullet (In the Gun of Robert Ford).” I hope.

I haven’t been sharing many mp3s around here lately, but because I was so shocked to see that I actually had this one, I can’t control myself.

“Til It’s Time to Say Goodbye”/Jonathan Cain (sound quality is iffy but acceptable; record is out of print)

5 responses

  1. “The Homecoming” rings the same bell in me that “Nadia’s Theme” does. I’m a complete sap for those kind of tunes.

  2. Aaron McCracken | Reply

    Hadn’t heard “Broken Lady” in maybe 30 years… hard to believe it missed the pop chart based on how much I heard it around the house growing up. It’s now going on my iPod.

  3. Benedict’s “Back It Up” is one of the fewer than 100 records in their entire database for which ARSA Jim hasn’t found any label or catalog number info. And if HE can’t sniff it out, good luck. There’s also the possibility that it may never have been issued commercially on vinyl at all. Probably a Nils Lofgren cover.

    We played all the others at my college station, where the words “sappy” and “sentimental” weren’t even in our music vocabularies. We were too busy playing the good stuff to care, anyway. “Cupid” was a consensus favorite, thanks to Elektra’s decision to include the full “My Funny Valentine” intro on the 4:45 side of the DJ 45. Great stuff.

    “Broken Lady” = harmony heaven that never gets old.

  4. memory jog: my sisters used to think Tony O sang “To him it’s just another lay” on his version of “He Don’t Love You.” Girls and their dirty minds.

  5. Thank you! So many times over the years when I was fooling around at the piano, I’d end up playing “The Homecoming,” knowing that I had heard it before but not knowing what the heck it was! I’m glad I finally know.

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